Philip French reviews a FNB favourite:
Went the Day Well?
One of Alberto Cavalcanti's supreme masterworks
Philip French
The Observer
Sunday 11 July 2010
Alberto Cavalcanti (1897-1982), born in Brazil to Italian parents, is one of the key figures in movie history. He studied law and architecture in Europe before making a reputation in France as a production designer and a pioneer director of the style that became known as poetic realism. In the mid-1930s John Grierson recruited him for the British documentary movement (his most famous picture from that time is Coal Face), and during the second world war Michael Balcon brought him to Ealing to give the studio's output a shot of documentary realism. Known to his colleagues as "Cav" and signing his movies with just his surname, his first film there was Went the Day Well? (1943), the best, most ferocious picture of the war years. He followed it with three films very much in the British vein Balcon sought to mine: Champagne Charlie, a celebration of the mid-Victorian music halls, Dead of Night, a portmanteau movie of supernatural stories, and a decent version of Nicholas Nickleby that takes its style from Cruickshank's illustrations. He subsequently made the noir classic They Made Me a Fugitive before attempting to revive the Brazilian movie industry.
http://www.guardian.co.uk/film/2010/jul/11/went-the-day-well-film-review
The excellent David Borwdell and Kristin Thompson seem to agree: http://www.davidbordwell.net/blog/?p=2303
The opening of Went The Day Well?
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