Tuesday 31 December 2019

Neil Innes RIP

Neil Innes, a Master of Musical Humor, Is Dead at 75
He worked with the Monty Python troupe and was known for his own projects, including the Beatles parody band the Rutles

By Neil Genzlinger
The New York Times
30 December 2019

Neil Innes, the British humorist and musician who was an honorary member of the Monty Python comedy troupe and made a name for himself with a nutty assortment of musical and television projects, including the Beatles parody band the Rutles, died on Sunday near Toulouse, France, where he had lived in recent years. He was 75.

His wife, Yvonne Innes, said the cause was a heart attack.

Mr. Innes, a multi-instrumentalist, was a particular type of songwriter: one who excelled at satirical songs and parodies of other people’s music, but who could also write a pretty good straight song. Sometimes it was hard to tell the difference.

In the early 1960s he was one of the first members of the Bonzo Dog Doo Dah Band, also known as simply the Bonzo Dog Band. He wrote the group’s biggest hit, “I’m the Urban Spaceman,” which climbed into the Top 10 on the British charts in 1968.

In the 1970s he wrote material for Monty Python, the groundbreaking six-member comedy troupe. Midway through that decade he and Eric Idle, a Python, came up with the Rutles, a deadpan parody of the Beatles; the group not only recorded albums but also made films, most notably the mock documentary “The Rutles: All You Need Is Cash” in 1978.

Mr. Innes also performed live shows throughout his career and was still doing so recently.

“His humor is gentle and whimsical, long on non sequiturs and only occasionally risqué,” Jon Pareles wrote in The New York Times, reviewing a show in 1985 at the Bottom Line in Manhattan. “He skewered pomposity in all its guises, from preciousness to enforced singalongs. With a mobile face that could metamorphose in seconds from Buster Keaton to Bob Dylan, and the slightly italicized gestures of a crack vaudevillian, Mr. Innes could get laughs whenever he wanted to.”

Neil James Innes was born on Dec. 9, 1944, in Danbury, England, northeast of London, to Edward and Rita (Hudson) Innes. His father was in the military, and he spent part of his childhood in postwar Germany.

He took piano lessons as a child, taught himself to play guitar and dabbled in drawing and painting. He pursued his art interest first at the Norwich School of Art, then at Goldsmiths College School of Art, graduating in 1966. That same year he married Yvonne Catherine Hilton.
Image result for the bonzo dog doo dah band
While in school he had begun playing in what was originally named the Bonzo Dog Dada Band.

“The Bonzos tumbled out of the heady early-’60s art-school scene, an ever-changing troupe of eccentrics who delighted the college crowd with a riot of exploding wardrobes, archaic instruments, prewar novelty songs and jazz-age pop,” according to an entry about the group’s first album, “Gorilla” (1967), in “The Mojo Collection: The Ultimate Music Companion.”

“We found the sort of songs we wanted to learn from old 78 Gramophone records,” Mr. Innes told NPR in 2004, “the breakable ones, which we used to buy in street markets.”
Neil Innes in 1970. He excelled at satiric songs and parodies of other people’s music but could also write a pretty good straight song.
The group is seen in the Beatles movie “Magical Mystery Tour” playing its song “Death Cab for Cutie.” The Bonzos also appeared in about 20 episodes of “Do Not Adjust Your Set,” a children’s television show that had a lot of adult fans thanks to a cheeky cast that included Mr. Idle and two other future Pythons, Terry Jones and Michael Palin. Mr. Innes was never a Python, but he did contribute material to “Monty Python’s Flying Circus,” which premiered in England in 1969.
From left, John Cleese, Mr. Innes, Michael Palin and Mr. Idle on the set of “Monty Python and the Holy Grail.”
He also appeared in the movies “Monty Python and the Holy Grail” (1975) and “Monty Python’s Life of Brian” (1979), as well as films by individual Pythons.

The Rutles started as a quick gag on “Rutland Weekend Television,” a BBC sketch comedy series about a laughably small-town TV station. Mr. Idle wrote and starred in the show, which ran for two seasons in the mid-1970s; Mr. Innes’s job was to contribute one or two songs per episode.

“Not many people saw it,” Mr. Idle wrote of the series in his memoir, “Always Look on the Bright Side of Life” (2018). “Because it had no live audience, I was never very sure whether it was funny or not, and some people kindly went out of their way to point out that it wasn’t.”
Image result for the rutles
But, of course, it was, particularly when, in the second season, it aired a sketch that featured a segment on a local band that looked and sounded an awful lot like the Beatles and performed a tune written by Mr. Innes called “I Must Be in Love.”

The band, the fake newscaster said, “created a musical legend that will last a lunchtime.”

In October 1976 Mr. Idle hosted “Saturday Night Live,” then in its second season, and played the Rutles clip. Lorne Michaels, creator of “S.N.L.,” became a fan and saw possibilities for a full-length mockumentary, an idea he sprang during a brainstorming meeting at which Mr. Innes was a casual participant.

“I was sitting to one side, on a window sill in an executive office, high up in the Rockefeller Center in New York, listening to all this when suddenly everyone started looking at me,” Mr. Innes recalled in a 2014 interview with The Birmingham Mail. “Lorne asked if I could write 20 more Rutles songs by next Thursday lunchtime. I said I would try!”

“All You Need Is Cash,” a TV movie shown in both England and the United States, was the result. In the mock band, Mr. Innes was Ron Nasty, the John Lennon-like Rutle. (Mr. Idle, as the Paul McCartney character, Dirk McQuickly, lip-synced.) And he was responsible for the songwriting.

John J. O’Connor reviewed “All You Need Is Cash” in The Times. “The music and lyrics,” he wrote, “all written by Mr. Innes, smartly capture the essence of the Beatles and then, ever so cleverly, turn it to mush."

Mr. Innes was also known for two British TV series, “The Innes Book of Records” (1979-81) and the children’s series “Puddle Lane” (1985-89).

In addition to his wife, he is survived by three sons, Miles, Luke and Barney; and three grandchildren.

As news of Mr. Innes’s death spread, each social media post by admirers seemed to single out a different sketch or song or television show that he created or to which he contributed. Danny Kelly, a British music journalist, put it simply.

“A genius at the very eye of the hurricane of British comedy and music,” he wrote on Twitter, “What a CV.”

Mr Ravenscroft and Mr Innes, from May this year; review here: 

Saturday 28 December 2019

Tom Adams' covers for Raymond Chandler novels

Tom Adams, who died On 17 December, was a prolific illustrator and noted for his covers of books by Agatha Christie, Raymond Chandler and John Fowles. He worked on a wide variety of other projects, including murals, adverts, Kubrick's 2001: A Space Odyssey, various features in the British comics, Eagle, Swift and Girl and the cover of Lou Reed's first post-Velvets album.

Wednesday 25 December 2019

Friday 20 December 2019

Good Grief, Charlie Brown...

Image result for charlie brown

Good Grief: The Story of Peanuts

Pete Paphides, writer and music critic, talks to family, friends and fans of Charles Schulz, creator of the Peanuts cartoon. He asks why he related so strongly to long suffering Charlie Brown and why Peanuts was the most successful newspaper comic strip of all time.

Featuring interviews with Schulz's widow, Jean Schulz, two of his children- Craig and Jill, as well as contributions from graphic designer Chip Kidd, comic book artist Chris Ware and life-long fan Russell T. Davies.

He created Peanuts in 1950, and Charlie Brown, Snoopy, Lucy, Linus, Shroeder et al still hold a huge place in people's lives and memories. The Peanuts comic strip was the most popular cartoon strip of all time and crossed boundaries of young and old- some claim it did for comic strips what the Beatles did for music. Others called it 'a beat strip', perfectly reflecting American society. But its appeal was global.

Using the most minimum of lines, Schulz was able to convey emotions and humour. His characters were contemplative, philosophical, isolated, sometimes depressed. And surprisingly they made clever observations about classical music, theology psychiatry and sport. Classic story-lines included the Great Pumpkin, Lucy vying for attention at Shroeder's piano, Linus' blanket, Snoopy versus the Red Baron, and Charlie Brown never kicking the football.

Charlie Brown, the central character was isolated and lonely. A real person, with real problems was a new idea in comics and he spoke to people all over the world- including the presenter of this programme, Pete Paphides, growing up in Birmingham.

Schulz died in 2000.

Producer: Laura Parfitt

A White Pebble Media production for BBC Radio 4 first broadcast in November 2010.

Listen for another 29 days from now: https://www.bbc.co.uk/programmes/b00vrvdm

Wednesday 18 December 2019

Rembrandt's Light at The Dulwich Picture Gallery

Denial of St Peter

Rembrandt's Light
Experience a cinematic retelling of the Dutch Master's pivotal years...
Dulwich Picture Gallery

An enduring storyteller; a master of light – Rembrandt is one of the greatest painters who ever lived. This landmark exhibition celebrates 350 years since his death with 35 of his iconic paintings, etchings and drawings, including major international loans.


Arranged thematically, Rembrandt’s Light will take you on a journey from high drama and theatricality, to the contemplative and spiritual, showcasing his use of light. 
The Artist's Studio

The exhibition focusses on the period from 1639–1658, when he lived in his ideal house at Breestraat in the heart of Amsterdam (today the Museum Het Rembrandthuis). Its striking, light-infused studio was where Rembrandt created his most exceptional work including The Denial of St Peter and The Artist’s Studio.

Echoing Rembrandt’s power for storytelling, the exhibition’s atmospheric lighting and design has been carefully curated to immerse audiences in his world. In-house curators Jennifer Scott and Helen Hillyard have collaborated with the award-winning cinematographer, Peter Suschitzky, famed for
his work on films such as Star Wars: The Empire Strikes Back and Mars Attacks! to create this unique experience.
Woman Bathing in a Stream

Highlights include the contemplative Christ and St Mary Magdalen at the Tomb and three of Rembrandt’s most famous paintings of women: A Woman Bathing in a Stream, A Woman in Bed and the Gallery’s Girl at a Window all hanging together.
Girl at a Window

The exhibition is the first to use a new innovative LED Bluetooth lighting system designed by Erco, whilst, in the final room, artist Stuart Semple has provided his Black 3.0 (the world’s blackest black acrylic paint) to create a dramatic backdrop for some of Rembrandt’s finest portraits.