10 July 2014,
Live At The Marquee, Cork Ireland
Love And Only LoveGoin' Home
Days That Used To Be
After The Gold Rush
Love To Burn
Separate Ways
Only Love Can Break Your Heart
Neil Young - vocals, electric guitar, acoustic guitar,
harmonica
Frank Sampedro - electric guitar, keyboards, vocalsRalph Molina - drums, vocals
Rick Rosas - bass
Dorene "Sweetie" Carter - vocals
YaDonna West – vocals
What a show, what a venue! The Marquee is a glorified
circus tent in a showground near the Cork dockland area, by the River Lee. But
they attract some great acts (Bob Dylan played there recently). Queuing from
about 2pm was a bit of a bind but seasoned railers know that it’s just part of
the experience. We got to hear the sound check which to our amazement included
an electric After The Gold Rush. “Oh he won’t play it though” was the
consensus. The security folks had a great attitude and were well organised to
prevent any queue jumping. So it was about 6:30 when we trooped up in single
file to the holding area adjacent to the main tent. Then at about 7pm we were
let in and our little group of diehard Rusties took centre spot on the rail.
This version of Crazy Horse was hastily put together after
bass guitarist Billy Talbot suffered a mild stroke. The word is that he’s ok
and making a speedy recovery. Rick “the bass player” Rosas stepped in at short
notice (he was touring with Pegi Young’s band until Neil made the call!). Two
backing singers, Dorene "Sweetie" Carter and YaDonna West, completed
the line-up to cover for Billy and take some of the vocal ‘weight’ off Frank
and Ralph’s shoulders.
The band warmed up with Love And Only Love from Ragged
Glory and followed with Goin’ Home first debuted at Sheffield Arena
in 2001 (yes, I was there too). Cracking stuff with Neil playing very fluid
guitar on Old Black, his trusty Les Paul. The next two songs were played on the
Gretsch White Falcon (GWF). The doubters were silenced by an amazing electric After
The Gold Rush; surely one of Neil’s finest re-workings of a song for some
time.
Separate Ways, written in the early seventies about his break-up with Carrie Snodgrass, and still unreleased, was moving and emotional. Only Love Can Break Your Heart, also played on the GWF, turned into an audience sing along. There was an intensity about the way Neil delivered these songs which is difficult to describe in words but it felt like they were fresh from the songwriter’s pen. Somehow new.
Separate Ways, written in the early seventies about his break-up with Carrie Snodgrass, and still unreleased, was moving and emotional. Only Love Can Break Your Heart, also played on the GWF, turned into an audience sing along. There was an intensity about the way Neil delivered these songs which is difficult to describe in words but it felt like they were fresh from the songwriter’s pen. Somehow new.
If that wasn’t enough, the acoustic set was utterly
absorbing. Between visits to the teleprompter, Neil seemed to be singing to about 5 or 6 of us on the rail. He
stared at us intently and if you’ve ever met that glance you know you’ve seen
something mystical. Brought tears to my eyes.
Then it was back to electric music with a rousing Powderfinger,
once again I was impressed with Neil’s guitar playing; so melodic and yet on
fire. Bizarrely in a mini-coda at the end of Rockin’ In The Free World,
he played the melody of God Save The Queen (as in the National Anthem) –
a rather eccentric choice for the Irish Republic!
The main show ended with a new song, debuted in Iceland –
the previous gig – Who’s Gonna Stand Up And Save The Earth? The song is
driven by a pulsating riff and asks the obvious question, including the lines “Ban fracking now save the waters, And build
a life for our sons and daughters”. A rousing finish. The encore Roll
Another Number turned into another audience sing along and ended the show
on a real high. Amusingly, Rick seemed to have forgotten the song and watched
first Frank and then Neil intently to follow what they were playing. Worth the
entrance fee alone!
To me this was the most
exciting, emotional, breathtaking show from Neil this century (and I’ve seen a
few). Everything I wanted and more. A new song, a song I’ve never heard live
before (Separate Ways), old songs re-worked, guitar playing like you get
from no-one else on the planet and an emotional intensity you could have picked
up and hugged!
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